Her is riveting, unconventional but not an insane love story. Alternatively, touch could have happened in the past, even though it may currently not be possible – such as when a pair is separated by distance or a prison cell, or through death. Article Type: The political economy of GFW Hegel – a review article From: International Journal of Social Economics, Volume 39, Issue 7 Ethik und Ökonomie in Hegel’s Philosophie und in Modernen Wirtschaftsethischen Entwürfen (Ethics and Economy in Hegel’s Philosophy and in Modern Economical-Ethical Concepts) A movie, and much more. The student differences are the reason for most of the problems that the students face at school. Watching the film Her will definitely bring about emotion with its audiences. I’m sorry. By Scott Foundas Movie Review. The latter is smart, but Zorba understands … The 2013 Spike Jonze film Her tells the story of Theodore Twombly, a lonely introvert going through a difficult divorce in a near-future Los Angeles. A film like "Hero" demonstrates how the martial arts genre transcends action and violence and moves into poetry, ballet and philosophy. this is wildly uninteresting, all philosophical filler with nothing tangible to grab onto. What matters is not the manner of death, but the manner of dying: In a society that takes a Zen approach to swordplay and death, one might win by losing. In this case, we’re talking about something that can learn and so develop their responses to the environment; but true intelligence also has experiences, and perhaps feelings. Samantha justifies the non-exclusivity of their relationship, explaining how these OS1 have gone “beyond” the limits of the substance communicating and learning from each other and she introduces a Zen Buddhist philosopher to him, Alan Watts. This deliberate moral relativism is also the reason why the film comes off as mildly—almost accidentally—pro-life and pro-adoption, rather than decisively so. But most of all, I am a Traveler. Her is also a philosophical dissertation masterfully conveyed through images, photography, direction and soundtrack. People, OS, whatever… She gets a substantive and understandable review from the Pre-Socratics to Jean-Paul Sartre. “I gave it to myself,” she says, adding that she likes the sound of it. Emma Watson - Reviews from Philosopher Stone Era. Without completely giving the plot away, Samantha tries to break her digital restrictions by trying to inhabit the physical realm. The final three subcategories in Whitlock’s list are “Movies featuring the ideas of particular philosophers,” “Movies based on Novels written by famous philosophers,” and “Other.” In the last basket, Whitlock places the PBS string-theory documentary The Elegant Universe and Finnish performance artist M.A. The film won an Oscar (2014, Original Screenplay: the first fully written and directed by the visionary genius Spike Jonze, director of music videos and masterpieces such as "Adaptation"… Any movie about then summary of it. Recently, I read a New York Times article called, The Philosophy of ‘Her’, written by Susan Schneider. However, the film is about an expression of a personal philosophy. I think Her tries to address the issue of extension – whereby an entity must inhabit physical space to have sex – but the movie certainly doesn’t address all the philosophical issues to do with consciousness and embodiment. She decolonizes death from the spirituality imposed on her, and in which she no longer finds meaning. “Really? The site's critical consensus reads, "Sweet, soulful, and … But there’s more. Are nonbiological creatures like Samantha capable of consciousness — at least in … It feels good. She is a lonely person, who has David Taube studied Philosophy and Journalism and is now a newspaper reporter outside Pittsburgh, Pennsylvania. You know men cry too. In the meantime, this movie focuses a new lens on what types of questions philosophers should be asking here, as viewers find themselves having the same doubts as the protagonist: Can an artificially intelligent entity love romantically, and even experience sex? I wanted somebody to fuck me. His phone … –Descartes. So what would an AI need to make romance? FILM REVIEWS AND DISCUSSION QUESTIONS. We use cookies to ensure that we give you the best experience on our website. In her own way she has made him free: to love, to be himself and accept his weaknesses: Samantha: You know, I can feel the fear that you carry around and I wish there was something I could do to help you let go of it because if you could, I don’t think you’d feel so alone anymore. We have some other case studies of embodiment in previous movies. The end brings us to the truth: we all look for someone who accepts us for who we are, making us able to be everything: Theodore: I feel like I can be anything with you. The movie Her (2013) explores this question. The film won an Oscar (2014, Original Screenplay: the first fully written and directed by the visionary genius Spike Jonze, director of music videos and masterpieces such as “Adaptation” and “Being John Malkovich”). Though the movie's emphasis on the efforts of a public school teacher is mostly secular and, hence, somewhat Romantic (see the note below), the movie keeps returning to moral issues. There are no approved quotes yet for this movie. So fuck it. This generates another dimension: the narrator's transformation. This aspect is important because it suggests that he is aware of the concepts of “enlightenment” and “attainment of Nirvana”: This condition leads a Buddhist to reach the Buddha in person and allows him to live with him forever: Theodore: Where are you going? Her and Philosophy By Gina Zavota . Murray is a washed-up film star doing whiskey commercials in Japan for a week. And then what can happen to a child when his/her mother never gives up on that child. But Besson has higher artistic and philosophical goals in mind, and they are better worth deriding. Tim Robey, Film Critic 1 September 2016 • 3:54pm. Watching its opening shots of Joaquin Phoenix making an unabashed declaration of eternal love to an unseen soul mate is immediately disarming. E! HER Spike Jonze New Techno-Philosophy Film (Member Review) HER Spike Jonze new science fiction romance film is set in Los Angeles sometime in the near future. But if it’s truly intelligent, it would be able to realize if it has been programmed with morally absurd ideas. It was just a perfect mix of great writing, great directing, and a great screenplay that gives us a deep and thought-provoking film. Theodore: Thank you. In Being John Malkovich (1999), for instance, people line up to enter a door through which they can temporarily inhabit the mind of said celebrity – almost as if it were a dream, but in fact much different, since in dreams your consciousness is still grounded into your body, and input from your body’s physical environment can affect the dream, just as output from the mental realm can affect the body; but John Malkovich inhabitants seem to only have a grounding in John Malkovich’s body. Written and directed by Spike Jonze, here is how the movie is described on its website: Set in the Los Angeles of the slight future, “Her” follows Theodore Twombly, a complex, soulful man who makes his living writing touching, personal letters for other people. It seems she has extra time on her hands. The previously mentioned panel colours make watching it surprisingly comforting to watch (and makes it feel much shorter than it actually is). The whole story is structured on three levels: the most “earthly”, the inner and the philosophical. This “trivialization” of the plot has nothing to do with the deeper meaning of the story: we must try to thoroughly investigate into Theodore – the protagonist – mind and soul to understand what Spike Jonze wanted to convey. Feelings are necessary to love romantically. A mom who wants desperately to hug her daughter but the daughter cannot stand to be touched. This kind of “story” is what he is also looking for himself, but life has other things for him: he is going to divorce the girlfriend with whom he shared everything, the woman who grown up with him, and he loved unconditionally: Catherine (played by Rooney Mara after Carey Mulligan surrender due to overlap with other productions).
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