Praetorius was a prolific composer; his compositions show the influence of Italian composers and his younger contemporary Heinrich Schütz. Gottfried Staffel’s detailed eyewitness account of Praetorius’s music directing at the 1614 Princes’ Convention (Fürstentag) in Naumburg[5] and Matthias Hoë von Hoënegg’s epigram describing the impression Praetorius’s music made on Emperor Matthias and other princes during a visit to Dresden in the summer of 1617[6] provide some sense of Praetorius’s fame at the time. After attending school in Torgau and Zerbst, he studied divinity and philosophy at the University of Frankfurt (Oder). In Dresden Praetorius also worked and consulted with Heinrich Schütz from 1615–1619. There he was responsible for festive music and was exposed to the latest Italian music, including the polychoral works of the Venetian School. *#42608 - 8.25MB, 104 pp. 10 He served in the duke's Sta… As a Lutheran from a militantly Protestant family, he contributed greatly to the development of the vernacular liturgy, but also favored Italian compositional methods, performance practice Composer Jacob Praetorius. Bransle simple de Novelle, Terpsichore II5. His body was entombed in a vault beneath the organ of the Marienkirche on February 23. Genre: Instrumental Classical. Praetorius was one of the most versatile composers of his age, being particularly significant in the development of musical forms based on Protestant hymns. Their publication primarily reflects the care for music at the court of Gröningen. for: Organ manuals [piano] Music score (anthology) Item no. The motets of this collection were the first in Germany to make use of the new Italian performance practices; as a result, they established him as a proficient composer. Praetorius was born Michael Schultze, the youngest son of a Lutheran pastor, in Creuzburg, in present-day Thuringia. Masters of the North German School for Organ. After receiving his musical education, from 1587 he served as organist at the Marienkirche in Frankfurt. Die Orgel des Domes zu Halberstadt hat eine Geschichte, die bis um das Jahr 1000 zurückreicht. Many of Praetorius' choral compositions were scored for several smaller choirs situated in several locations in the church, in the style of the Venetian polychoral music of Gabrieli. By Jacob Praetorius Weser-Renaissance Bremen, Manfred Cordes. Jean-Charles Ablitzer plays Motets and Dances by Praetorius on the 1610 Compenius organ - YouTube. Michael Praetorius (1571–1621) achieved distinction as a practicing musician: as organist and Kapellmeister at Wolfenbüttel, Dresden and Magdeburg, and (in his later years) by incessant travel to fulfill commissions at various central German courts. See the translation of the first two parts of this volume, by David Z. Crookes, published by Oxford University Press in 1986. As a lifelong committed Christian, he often regretted not taking holy orders but did write several theological tracts, which are now lost. Similar items. Michael Praetorius (1571-1621) Syntagma musicum. Listen Details. Instead it emphasized a specification more suited for polyphonic music as had been common in the time of Praetorius and Bach. The Carus organ music catalog contains a great variety of works for all occasions in church or concert. 1 ; Re-Up this Album. *#321463 - 6.99MB, 104 pp. Gustave Reese said that the Syntagma Musicum was one of the most important sources of seventeenth century musical history.[4]. If you use and like Free-scores.com, please consider making a donation." (-) - V/C*/31 - 1277×⇩ - Wilson Music Lib, PDF scanned by US-Nau Friedhelm Flamme - Mulet: Complete Organ Works (2018) Friedhelm Flamme - Michael Praetorius: Complete Organ Works (2014) Friedhelm Flamme - … But he also began working at the court of John George I, Elector of Saxony at Dresden as Kapellmeister von Haus aus (nonresident music director). Walter Blankenburg and Cletus Gottwald, "Praetorius, Michael. Listen free to Johannes Praetorius – Praetorius: Organ Music (Allein zu dir, Herr Jesu Christ, Christe, qui lux es et dies and more). PRAETORIUS, H.: Organ Music (Complete Magnificat and other Works for Organ) (Flamme) Label Catalogue Number: 777345-2. UPC Code: 0761203734528 Release Date: August 2012 Originally recorded in 2012. 6 Praetorius' organ music covers exclusively cantus firmus arrangements: three chorale fantasias which fascinate by their variety of style, a pair of variations with a rich figuration technique, and six compositionally innovative hymn arrangements. World wide shipping "For over 20 years we have provided legal access to free sheet music. Praetorius was the conventional Latinized form of this family name,[3] Schultze meaning "village judge or magistrate" in German. These "modern" pieces mark the end of his middle creative period. German composer, organist, and music theorist (c1571-1621), A more commonly known Praetorius piece, for, Praetorius’s birthdate (and even to a certain extent, birth-year) has long been shrouded in uncertainty. Choirsizes range from 8 to 20, with the voices divided into two, three or four groups, and he must have had well-trained and sophisticated musicians at his disposal, considering both the amount and the difficulty of m… 1. Praetorius, Michael/Books; Renaissance style; Renaissance; Music theory; Writings; Performance practice; Organology; German language; Latin language; Works first published in 1618; Works first published in the 17th century; 17th-century facsimiles; Mensural notation Die heutige Domorgel wurde 1965 von Orgelbauwerkstatt Eule … Bransle gay, Terpsichore V4. [17] The third (Termini Musicali, 1618), also in German, regarded the genres of composition and the technical essentials for professional musicians. After attending school in Torgau and Zerbst, he studied divinity and philosophy at the University of Frankfurt (Oder). Masters of the North German School for Organ 6 6 Versus Cycles – Chorale Settings – 3 Praeambula . No. Oxford Music Online, (accessed September 11, 2011), Ruth Watanabe, "Michael Praetorius and His, http://www.newhopelc.org/#!lutheran-musical-heritage/c961, Historical Notes, and additional English versions, from The Hymns and Carols of Christmas, International Music Score Library Project, free Vocal Evangelical Church Music by Michael Praetorius, https://en.wikipedia.org/w/index.php?title=Michael_Praetorius&oldid=1000563649, Short description is different from Wikidata, Articles with International Music Score Library Project links, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Christ, unser Herr, zum Jordan kam – Fantasia (, Ein’ feste Burg ist unser Gott – Fantasia (, Wir glauben all an einen Gott – Fantasia (, Nun lob, mein Seel, den Herren – 2 Variationen (, Alvus tumescit virginis – Advent-Hymnus « Veni redemptor gentium » (, A solis ortus cardine – Weihnachts-Hymnus (, Summo Parenti gloria – (8. 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