Revisiting older work on this year’s Director’s Cut gave Kate Bush a chance to review aspects of her canon so far. In 1980, she sang that “December Will Be Magic Again;” in 2011, she has made it so. It's fraught with endings, loss, quiet-- adult things. Closer ‘Among Angels’, while less striking, has a spacious, sacred feel. Kate Bush – 50 Words For Snow (Fish People/EMI) By Kevin Ritchie Nov 24, 2011 Rating: NNNNN Yetis, snowman sex, snowflake conception, doomed romance: Kate Bush’s 10th studio album … It's a myth, but one so pervasive, so pretty, you feel it ought to be true. 50 Words for Snow (2018 Remaster) by Kate Bush - Year of production 2011 Kate Bush: 50 Words for Snow, CD review. She’s allowed. The world's defining voice in music and pop culture since 1952. Like the rest of ‘50 Words For Snow’, it makes you crane your head close to listen. So it's no surprise that she readily sympathizes with the misunderstood monster at the center of "Wild Man": "Lying in my tent, I can hear your cry echoing round the mountainside/ You sound lonely.". But where Aerial is all birdsong, late-summer dreaminess and honey-coloured production, 50 Words For Snow is chilly, stark, fragile and wintery throughout. “50 Words For Snow” is worth having for the opening “Snowflake” alone. The smoky and sparse feel of the piano puts us somewhere between minimal modern classical and Carole King or Laura Nyro. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the album received an average score of 85, based on 35 reviews, which indicates "universal acclaim". The only yellow spot is the title track, which is, as anyone who remembers ‘Pi’ from ‘Aerial’ will be not at all surprised to learn, a list of wackadoodle alternative descriptions for snow (“deamondi-pavlova… eiderfalls”) recited in Stephen Fry’s matter-of-factly QI-est of tones as Kate counts down the numbers in the background then willdy yells “come on Joe, you got 22 to go” as a chorus. By following her own strange snowy course without thought to what might be expected, she sets her own agenda. Kate Bush talks about 50 Words for Snow, her first album of brand new material for six years. “50 Words For Snow” is worth having for the opening “Snowflake” alone. Propelled by Bush's languid piano and the jazzy, pitter-pattering drums of veteran stick man (but relatively new Bush recruit) Steve Gadd, the song is about as appealingly grown-up as a song about having sex with a snowman can possibly be. Here, six years after Aerial and just six months after Director’s Cut comes 50 Words for Snow. The ending of that song brings up another common thread through Snow, aside from its blizzard-y climate. ‘Lake Tahoe’, featuring classical singers Stefan Roberts and Michael Wood, is a chilly choral ghost story based around the urban myth of the cold Californian mountain lake, whose bottom is rumoured to be lined with perfectly preserved bodies. In an interview earlier this year, the 53-year-old Bush told me she doesn't listen to much new music, and after listening to the stunningly subtle and understated sounds on Snow, it's easy to believe her. Release Date: 2011 | Tracklist. 75. "Snowflake" is a duet with her 13-year-old son, where he plays the small fleck of white falling down from the sky, his high-pitched, choir-boy voice hitting the kind of notes his mom was originally famous for. That faintly Eastern motif, the oddly accented, lurching delivery. Its instrumentation is minimalistic, the melodies hard to grasp, and the lyrics often meandering and soulful. Snow isn't a blissful retreat to simpler times, though. Kate Bush's second album of original material in the last 17 years is haunting and gorgeous. A-Artists. At a little under ten minutes, it’s a remarkable ode to snow and contact and sets the tone for the album. Like most of her other works, 50 Words for Snow’s songs are isolated works of fiction, but this time with a tight focus on winterish themes, giving the album a more coherent and thematic consistency. Available with an Apple Music subscription. 50 Words for Snow is such a strange pop record, it's all but impossible to find peers. Rather than make any sort of direct or symbolic follow up to Aerial, this album functions like a very dense concept record, unlike anything in her back catalogue. 4.0. excellent. When faced with her unlikely guest on "Misty", Bush pinches herself: "Should be a dream, but I'm not sleepy.". This is an album about trying, oftentimes futilely, to find connections-- between Bush and her characters, reality and surreality, love and death. Album Review: Kate Bush's "50 Words for Snow" November 21, 2011 | 5:22 pm From up on that hill, perhaps wearing a capelet over a flowy Victorian gown, Kate Bush has been regarded as a spirit saint of fearless individuality by a generation of musicians such as Björk and Tori Amos as well as younger mystics-in-training such as Florence Welch, Leslie Feist and Bat for Lashes. In the 12 years that separated The Red Shoes (1993) and Aerial (2005), Bush’s mystique and reputation as some sort of maverick in self-induced exile grew to massive proportions.In fact Bush had taken the time out to focus on … On the track, Bush encourages her son-- "The world is so loud/ Keep falling/ I'll find you"-- and yet the plaintive piano that steers things is seemingly aware that, once the flake arrives, it'll either melt or disappear among millions of other icy bits. From up on that hill, perhaps wearing a capelet over a flowy Victorian gown, Kate Bush has been regarded as a … The long, hungry hiatus before ‘Aerial’ has had the effect of making [a]Kate Bush[/a] criticism an unnecessarily serious-faced pursuit, but her songs have always reveled in the daft and whimsical. Pitchfork is the most trusted voice in music. Read full review. 50 Words for Snow is so peculiar in it's ambition. It’s a Christmas miracle that Kate Bush released two albums in 2011. The album is one of restraint that embodies the spirit of winter with … Musically, we’re in the same expansive, unhurried territory as 2005’s ‘Aerial’, but this time, it’s winter. There are moments when she teeters on the edge of self-parody and cliché and others when she makes music that dazzles as much as it moves. 7 Songs. So while "Misty" is an eyebrow-raiser about getting very intimate with a cold and white being with a "crooked mouth full of dead leaves," it hardly calls attention to its own eccentricities. It's not one second too long. "I was born in a cloud," sighs art-rock sorcerer Kate Bush on her mesmerizing tenth studio album. The same sort of disconnect defines "Snowed in at Wheeler Street", an eerie duet with Bush's teenage idol Elton John about a star-crossed pair who have "been in love forever"-- literally. But Bush continues to infuse her narratives with a beguiling complexity while retaining some old-school directness. Love it? Listen: http://theneedledrop.com/2011/11/kate-bush-wild-man-radio-edit/What do you think of this album? She discusses her fears about the demise of the album as a … Hate it? End. Genres: Art Pop, Ambient Pop. 50 Words for Snow received general acclaim from music critics. While much of 50 Words for Snow conjures a whited-out, dream-like state of disbelief, it's important to note that Bush does everything in her power to make all the shadowy phantoms here feel real. And ‘ 50 Words For Snow ’ will, in return, demand a little effort from you. Sure, it’s an interesting idea. In Lake Tahoe, the song also breaks suddenly at 8.44, leaving Bush to exhale one sharp, startling breath. That's what human beings want desperately. 50 Words for Snow is teeming with classic Bush-ian characterizations and stories-- fantasies, personifications, ghosts, mysteries, angels, immortals. This was only hinted at in Prelude/Prologue, the opening tracks from Disc 2 of 2005’s Aerial. [a]Kate Bush[/a] no longer needs to cartwheel through dry ice to get your attention. Font Size. Try it free. It’s Bush’s third album since 2005, which technically puts her up on The Strokes, The Shins or Modest Mouse. A visual spinning loader for iOS indicating that the page is performing an action. Of course, when it comes to modern popular figures-- who often court fame and adulation with an obsessiveness that can be fascinating or just plain sad-- … The most surprising moment is a duet with one of Kate’s childhood heroes, [a]Elton John[/a]. The album's shortest song, the gorgeous closing piano ballad "Among Angels", clocks in at almost seven minutes. So this is it, as of right now this is Kate Bush's last proper album. On "Wild Man", the first single from Kate Bush's winterized 10th album, the singer tells of an expedition searching for the elusive Abominable Snowman. And mood. Album Review: Kate Bush – 50 Words for Snow. Review Summary: Disappointing single aside, it's another frighteningly good album from one of England's all-time greats. Back in 1977, when she … Indeed, when considering this singular artist in 2011, it's difficult to think of worthy points of reference aside from Bush herself; her onetime art-rock compatriots David Bowie and Peter Gabriel are currently MIA and in rehash mode, respectively. While it shares sheer ambition with Scott Walker 's The Drift and PJ Harvey 's Let England Shake , it sounds like neither; Bush 's album is equally startling because its will toward the mysterious and elliptical is balanced by its beguiling accessibility. Bush’s tenth album and her second this year following the collection of re-recorded material, The Director’s Cut, 50 Words For Snow is a snapshot of an artist who, even after a much sparser output in recent years, continues to operate from an advanced playbook. [99] 50 Words for Snow, released back in 2011, shows her full transformation from the hotblooded pop diva in her 1978 debut, The Kick Inside, to a more mature and tender songwriter. I could make a song by listing all the names of all the UK’s motorway service junctions (“Watford Gap… Fleet… Newport Pagnaaaaallllll”), but it’s doubtful I’d be saying anything to anyone about their lives. referencing 50 Words For Snow, 2xLP, Album + CD, Album, Anti-87186-1, 87186-2 I have the Anti vinyl version of this, and it is a poor quality pressing. © 2021 NME is a member of the media division of BandLab Technologies. Of course, when it comes to modern popular figures-- who often court fame and adulation with an obsessiveness that can be fascinating or just plain sad-- Bush herself is something of a mythical beast. None Raised Depressed Uniform Dropshadow. Kate Bush 50 Words For Snow Joe Kennedy , November 18th, 2011 05:15 Thanks to Wuthering Heights , Kate Bush will always be connected to Emily Brontë, the author of the novel whose story Bush retold in her debut single. With 50 Words for Snow, she casts the theme in a bolder and bleaker light than ever before. Siobhán Kane. With his penchant for poetic over-sharing, Drake is an apt avatar for the era of reality television and 24-hour self-documentation. With John Wilson. Not just a drug counselor to international pop stars, our Reg is, it seems, still capable of an arrestingly rich and complex vocal on this high-drama tale of time-travelling lovers repeatedly torn apart and reunited, holed up in front of the fire, keeping the snowstorms, faintly menacing synths and the future at bay. And ‘50 Words For Snow’ will, in return, demand a little effort from you. It succeeds as a transitional work, but first and foremost as its own singular world—a hushed, magnificent snow globe full of strange stories and characters. I feel like the only way to get a full experience from 50 Words for Snow is to listen to it on a long walk in the dead of winter … It acts as something of a sequel to Bush's "Running Up that Hill", another tale of pained co-dependence. "I have a theory that there are parts of our mental worlds that are still based around the age between five and eight, and we just kind of pretend to be grown-up," she recently told The Independent. 7 songs. November 21, 2011 | 8:00am ET. Six years after Aerial's bursts of summer sound, Kate Bush's winter album arrives, each track exploring the long Christmas months. Rated #154 in the best albums of 2011. Musically, we’re in the same expansive, unhurried territory as 2005’s ‘ Aerial ’, but this time, it’s winter. Kate Bush - #10 So this is it, as of right now this is Kate Bush's last proper album. I guess you could say that this album is suitable for the weather. Follow her footprints off the beaten path, and you’ll find some weird winter wonders. On ‘Misty’ her voice becomes deeper, minxier, as she husks “give him eyes/Make him smile for me, give him life”. 50% 75% 100% 125% 150% 175% 200% 300% 400%. Legendary UK singer-songwriter returns with another intriguing piece of work. Oh, what a shame that "Wild Man" is here, with its synth sound that would have sounded dated on Hounds of Love, its awkward, stunted melody, and its not-quite-right, oddly Jeff … 50 Words for Snow "Running Up That Hill" (2012 Remix) 2012 6 — — — — — 22 — — 28 — A Symphony of British Music "—" denotes a recording that did not chart or was not released in that territory. Simply put: 50 Words for Snow is as far from pop as Kate Bush has dared to venture, but her artistry has reached its peak. There's an appealing creepiness that runs through this album, one that recalls the atmospheric and conceptual back half of her 1985 masterpiece Hounds of Love. To hope for a ‘Running Up That Hill’ or a ‘Wuthering Heights’ would be to miss the point, and the subtle pleasures – there’s enough people walking the ways Kate cleared 30 years ago. When [a]Kate Bush[/a] sets out to write an album about snow, you get seven songs up to their necks in shivery drifts. Kate Bush. This is what happens. All this publication's reviews. 50 Words for Snow is so peculiar in it's ambition. https://louderthanwar.com/kate-bush-50-words-for-snow-album-review There's no happy ending. Marking … [Fish People; 2011]Kate Bush’s greatest gift has always been her ability to balance high-concept storytelling with songwriting virtuosity deftly enough that each is compelling completely independent of the other. Still, the message is the same; Bush seeks to extract the ghost of humanity from our own elastic and untrustworthy history, our ever It takes a confident mistress of mood to start an album with a nine-minute song so sparely drawn. Here, six years after Aerial and just six months after Director’s Cut comes 50 Words for Snow. Janelle Monáe; Kate Bush; Advertisement. And while current acts including Florence and the Machine are heavily inspired by Bush's early career and spiritual preoccupations, none are quite able to match their idol's particular brand of heart-on-sleeve mysticism. 50 Words for Snow is the second release from Kate's own label Fish People and comprises all new material that was recorded during the same period that Kate worked on her album Director’s Cut. We all love being read stories, and none of us get it anymore." Backed by lush and moody beats, Take Care … Cut to 2011 and Kate bush has returned with 50 Words For Snow, a new studio album with a collection of songs themed around snow and snowfall. In the cool atmosphere of opener ‘Snowflake’, the soft impact of piano and muffled drums conjures the feel of thick fluffy snowfall. Color Black White Red Green Blue Yellow Magenta Cyan Transparency Transparent Semi-Transparent Opaque. FPCD007 / 5099972986622; CD). 3 stars (out of 4) Only Kate Bush could get away with this: Her new album, "50 Words for Snow" (Fish People), includes a song about making love to … So when the song's titular being is nowhere to be found the following morning-- "the sheets are soaking," she sings-- there is nothing gimmicky about her desperation: "Oh please, can you help me?/ He must be somewhere.". (More on Consequence of Sound: Album Review: Lissie’s Covered Up With Flowers) "Our essence is there in a much more powerful way when we're children, and if you're lucky enough to... hang onto who you are, you do have that at your core for the rest of your life." And her heightened sophistication works wonders here. And, disturbing as the sheet-soddening one-night-stand of ‘Misty’ is, it’s nice to have someone put a bit more effort into being seasonal than sticking on a vintage frock and covering ‘Rockin’ Around The Christmas Tree’ (hellooo, No-ey Deschanel). As quoted in Graeme Thomson's thorough, thoughtful recent biography Under the Ivy, she explained her attraction to such songwriting: "[Songs] are just like a little story: you are in a situation, you are this character. "When we got to the top of the hill/ We saw Rome burning," sings Elton. ‘Wild Man’ is also, frankly, quite silly on first listen. “50 Words For Snow” is a strange album. The time-traveling track finds its leads going from ancient Rome to World War II to 9/11, always losing each other along the way. Like so much of her best music, it's filled with deep story-songs that have the effect of putting one in the kind of treasured, child-like space-- not so much innocent as open to imagination-- that never gets old. "Misty" rolls out its brilliant, funny, and bizarrely touching tale across nearly a quarter of an hour. She's now allowing her songs to breathe more than ever-- a fact reinforced by this year's Director's Cut, which found her classing-up and often stretching out songs from 1989's The Sensual World and The Red Shoes via re-recordings. The legendary Kate Bush's brand new studio album, 50 WORDS FOR SNOW features 7 new tracks set against a background of falling snow, with a total running time of 65 minutes; through a highly evocative musical and lyrical landscape this haunting album once again pushes the boundaries of Kate Bush's art. 50 Words for Snow is such a strange pop record, it's all but impossible to find peers. At a little under ten minutes, it’s a remarkable ode to snow and contact and sets the tone for the album. Non-fill throughout, so plenty of crackle to accompany the relatively quiet subtle music. View credits, reviews, tracks and shop for the 2011 CD release of "50 Words For Snow" on Discogs. Kate’s voice is soft, subtle, seeming barely impelled by breath, while her son Bertie’s is choirboy-pure, cutting silvery and innocent through sparse flurries of Fantasia violins, and ripples of high piano notes. 50 Words For Snow is Kate Bush's 10th album, which was released in 2011 by Fish People Records. In her early career, Bush sometimes let her zaniness get the better of her, highlighting her tales of sexual taboo and bizarre yarns with look-at-me musical accompaniment and videos. You get yeti. Now, she has shifted her attention from ice to snow, and - as its title suggests - in Fifty Words for Snow she sets out to examine 50 snow words, … This album is no exception and in fact one of her proggiest releases along with the astonishing "Aerial". Similarly, while the lake-bound ghost of "Lake Tahoe" is overjoyed to find her long-lost dog-- coincidentally named Snowflake-- at the end of the song, the reunion comes with its own specter of bittersweet afterlife. While looking for 50 Words For Snow, she has found 50 other original ways to express herself effortlessly, creating another intriguing piece of work. Nov 21, 2011. 50 Words for Snow is only her second album of original material in the last 17 years, and she hasn't performed a full concert since her groundbreaking and theatrical Tour of Life wrapped up its six-week run in 1979. However, Director’s Cut, a reinterpretation of songs from The Sensual World and The Red Shoes, inspired her to … And jolly ... 50 Words for Snow is artic and hoare frost and robin red ... Festival Review Way Out East: DiS Does Sharpe Festival 2019. Font Family. Kate Bush's "50 Words For Snow" is a return for the prog diva and I have always been enamoured with her style, the way she evokes passion and power with incredible high octave range and theatrical performances. She's onto something; in our postmodern era, the idea of a tale can seem quaint and simple. Why? Kate Bush 50 Words For Snow (Fish People) Buy it from Insound A new album by Kate Bush always comes laden with an almost intolerable weight of expectation. I got this album for Christmas a few years back so this review is kinda late. Her latest album, a hymn to snow and the icy element’s soft and crystalline associations, is no different. Rippucino. Text Edge Style. Despite only containing seven A s anyone who watches QI will tell you, the Inuit language does not actually have 50 words for snow. Those days are long gone. At first it seems forced, but repeated listens bring out a real sense of the abominable snowman’s raw loneliness. 50 Words for Snow, an Album by Kate Bush. Emily Mackay. None of this vague ‘oh, it’s kind of about the English Riviera, only most of it’s not really’ fudge. 50 Words for Snow. Kate Bush's 50 Words for Snow is a quietly beautiful album. 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